Tarot cards medieval England Wales historical use candle lit: Examining evidence for tarot divination use in medieval Britain and Wales

Were Tarot Cards Used in Medieval England and Wales?

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Written by Simon Williams

Symbols, Secrets, and the Search for Meaning

Imagine a flickering candle, the scent of dried lavender curling through the air, and a hand hovering over parchment as runes or symbols are carefully arranged. This is the scene many conjure when thinking of medieval mysticism, a world of omens, herbal lore, and whispered charms.

But was the tarot part of this world? Did fortune-tellers in medieval England or Wales lay out cards beneath stone arches, seeking glimpses of the future?

The truth is more intricate than legend, and no less fascinating.

At a Glance: Key Facts About Tarot in the Medieval Period

  • Tarot cards were not used in medieval England or Wales.
  • The first tarot decks emerged in 15th-century Italy, designed for a card game called tarocchi.
  • Tarot's association with mysticism and fortune-telling developed much later, in 18th-century France.
  • In medieval Britain, divination and folk magic were common — but took different forms, such as scrying, astrology, and charms.
  • Today's tarot decks often feature medieval-style art, giving a nostalgic illusion of deep historical roots in Britain.

The Birth of Tarot: Not British, Not Magical (Yet)

The tarot's story begins far from the mists of Wales or the courts of England. It was in the wealthy duchies of northern Italy, around the early 1400s, that the first tarot decks appeared. These were not spiritual tools but elaborate sets of playing cards, crafted for aristocratic entertainment.

Known as carte da trionfi ("cards of triumph"), they evolved into the game of tarocchi. The decks combined familiar suits (swords, coins, cups, and batons) with an additional set of illustrated "triumph" cards, what we now call the Major Arcana.

Figures like The Fool, The Emperor, and The Wheel of Fortune were artistic flourishes, not mystical keys.

None of this had yet reached England or Wales, where playing cards themselves were a new import, and tarot was still unknown.

Mysticism Comes Later: The 18th-Century Reinvention

The transformation of tarot from parlour pastime to tool of the occult did not begin until over 300 years later.

In 18th-century France, intellectuals and mystics began to reframe the tarot as something far older and more mysterious than it truly was. Chief among them was Antoine Court de Gébelin, who claimed that tarot preserved the ancient secrets of Egyptian priests, a romantic theory now thoroughly discredited.

Around the same time, the fortune-teller Etteilla (Jean-Baptiste Alliette) created one of the first decks specifically designed for divination, complete with esoteric meanings and a method of cartomancy.

From there, the concept of tarot as a magical tool spread across Europe. By the 19th century, it reached British shores through occult societies like the Hermetic Order of the Golden Dawn, but that was long after the medieval period had ended.

Common forms of medieval British magic included:

  • Scrying: Gazing into reflective surfaces like water, crystals, or polished metal to see visions.
  • Astrology: Interpreting the stars to understand human affairs — widely accepted and practised by educated clergy as well as commoners.
  • Charm books: Collections of prayers, symbols, and instructions thought to bring luck, healing, or protection.
  • Casting lots or bones: Simple games of chance used to make decisions or foretell outcomes.
  • Dried herbs and spoken spells: Used for everything from love potions to curing ailments.

Wales in particular maintained a strong tradition of oral storytelling, Celtic myth, and folk healing, rich in symbolism but not based in card-based divination.

Why the Confusion? The Medieval Look of Tarot Today

Modern tarot decks often evoke a medieval or Renaissance aesthetic. The Rider-Waite-Smith deck, one of the most famous in the world, is filled with medieval costumes, castle imagery, and religious symbolism.

This visual language creates the illusion that tarot has medieval roots in Britain, a powerful but misleading impression.

It's worth noting that many modern tarot artists intentionally draw on medieval styles. From Gothic arches to alchemical symbols, these images tap into the emotional power of history and mystery. But they are a reimagining, not a revival.

Blending Fantasy and History in Today's Tarot

At Histories & Castles, we embrace both historical truth and the rich imaginative worlds that surround it. Our Medieval Magic section includes tarot decks that honour the spirit of the past, even if they do not originate from it.

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About the Author

Simon A. Williams

Simon A. Williams

Published Author and Editor-in-Chief · Verified Research

Simon A. Williams is a history communicator and storyteller who makes the past accessible through podcasts, books and digital media. His work blends careful research with compelling narratives that entertain, educate and inspire curiosity, bringing medieval English and Welsh history, castles and the Crusades to life for readers and listeners who want more than a textbook account. Simon is the author of No Law for the Poor, The Pendle Witch Conspiracy and The Truth Behind Welsh Myths and Legends, and serves as Editor-in-Chief at Histories and Castles, where he shapes the site's editorial voice across articles, video and podcast content. Rather than approaching history as a closed academic subject, Simon treats it as a living story worth retelling well, one that rewards curiosity as much as rigour.

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